2005 : Ventilation And Air Conditioning At The Plaza Theatre |
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Plaza's Hot History
The largest single project since acquisition and renovation of the Plaza Theatre was the installation of the ventilation system in 1997. During this work the theatre was dark for several weeks whilst the auditorium was filled with scaffolding, a significant amount of infrastructure was craned on to the top of the building and the roofline altered to permit installation of ductwork.
As originally built the Plaza had a basically flat bitumen roof painted with silver to reflect some of the heat from the sun. In the middle of the roof were two ventilation fan towers joined together with a wooden structure known as the 'penthouse'. The cinema auditorium ceiling featured two circular grilles below these fan towers - when the Plaza was converted to the theatre we know today, the stage proscenium arch was set forward of one of these. The Plaza has always had a slow thermal change characteristic - taking a long time to warm up on winter rehearsal days and once hot, being very uncomfortable particularly during summer productions and three-performance-pantomime days.
Ventilation and Free Cooling
The roof realignment project of 1997 analysed the heat issues in the building and observed that, since RAODS audience-oriented use of the Plaza was principally a few hours of nocturnal and weekend time, the likely hours that might demand air-conditioning could be considered as less than 1% of a year (although of course comfort for these few hours in hot weather may be critical to ticket sales for a given production). Balancing the substantial installation costs against the available funds, the 1997 project designed a ventilation (fresh air) system that could be subsequently upgraded to give air conditioning (cool air). The ventilation sought to change the entire volume of air in the auditorium around six times per hour - taking away warm, damp air from over the audience and introducing fresh air from outside the theatre via ducts over the staircases. The control system allowed for pre-heating of fresh air in winter and for some mixing of fresh and re-circulated air to prevent wasting of energy at appropriate times. By definition a ventilation system can achieve a degree of 'free-cooling' - if the fresh air is cooler than the waste air (eg after sundown), some benefit may be experienced, depending on the difference between internal and external air temperatures. Under extreme circumstances the outside air may be hotter than the inside - running a 'ventilation-only' system then may subtract from audience comfort!
Science and Maths
Unlike turning on a light which immediately fills a room, ventilation and air-conditioning are complex sciences, since both require work to be done over a period of time to achieve the desired result. Often the environment has characteristics which act against the change which we are trying to introduce - with ventilation, human respiration will consume fresh air and with air-conditioning the warming effect of body heat will counter the coolness being introduced. Careful design seeks to achieve a cost-effective balance of capability versus demand.
To achieve cooling by air-conditioning, energy must be invested in processing the fresh air. The exact amount of energy depends on the heat we are trying to counter. For a simple model, each human being can be considered to generate the same heat as a 100W light bulb - a full house plus cast and theatre staff is around 250 people or 25,000 Watts. Stage lighting comprises various devices: assuming there are 50 lanterns running at an average 500Watts each - this is another 25,000 Watts of heat. Altogether, this totals 50,000 Watts - no wonder the auditorium gets hot despite fresh air!
Hampshire's Coolest Venue?
The need for improved audience comfort was recognised, so having paid off financial commitments relating to the ventilation and roof realignment project, RAODS set about strengthening its funding base and designing the solution for the air-conditioning upgrade. Air Improve of Winchester worked closely with the Society to cost and plan the complex integration of fabrication, pipework, lagging and craneage required. The cost model devised helped to seek funding over a period of months such that the vision of an air-conditioned auditorium could be fulfilled before the summer of 2005.









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